Los Angeles, CA—Craft Recordings is pleased to reissue four classic, remastered titles from legendary jazz artist Chet Baker. The albums comprise Baker’s entire output as a leader for the renowned jazz label Riverside—all recorded and released between 1958 and 1959: (Chet Baker Sings) It Could Happen to You, Chet Baker in New York, Chet and Chet Baker Plays the Best of Lerner and Loewe. The recordings, which feature such icons as Bill Evans,Johnny Griffin and Kenny Burrell, have all been cut from their original analog master tapes by Kevin Gray at Cohearent Audio and pressed on 180-gram vinyl at RTI.

In the winter of 2019, Baker’s Riverside catalog was celebrated with the deluxe vinyl box set, The Legendary Riverside Albums. Now, these meticulously remastered recordings are available as individual albums.

Few musicians have embodied the romantic—and ultimately tragic—jazz figure as totally as Chesney “Chet” Baker (1929–88). Unschooled yet eloquent in his music, and a fast-liver who survived for nearly six decades, the Baker mystique has only reinforced one of the most haunting trumpet styles and ingenious approaches to jazz singing. The Los Angeles–based musician rose to fame in the early ’50s, playing with established artists like Charlie Parker, Gerry Mulligan and pianist Russ Freeman—partnerships which would solidify his status as a major jazz star. By the end of the decade, when he signed a four-album deal with the New York–based label Riverside, Baker had become known for his trademark West Coast “cool jazz” style. However, each of his recordings of this era—which pair the artist with some of the best East Coast players—demonstrate Baker’s versatility as a modern trumpeter who could play with even the hardest boppers.

Chet Baker’s 1958 recording session debut for Riverside Records, which resulted in the album release (Chet Baker Sings) It Could Happen To You, offers a modern, hipper take on standards like “Old Devil Moon,” “You’re Driving Me Crazy,” and “How Long Has This Been Going On?” Chet Baker Sings is unique in that the nimble artist sets aside his trumpet in several of the tracks, using only his vocals—and even scatting some of the improvised solos in a style that sounds very much like his lyrical trumpet playing. All Music calls the album “An essential title in Chet Baker’s 30-plus-year canon.”